Table of Contents
List of Figures
Acknowledgements
Introduction
Part 1: Imperial Anxiety, Hybridity and Art
Chapter 1: The Appropriating Engine, Modern Education and Social Science
Chapter 2: Culture as a Universal Concept
Chapter 3: Orientalism and India
Chapter 4: Slavery, Freedom and Art
Part 2: Nationalism, Capitalist Imperatives and Spectacle Art
Chapter 5: The Crystal Palace Exhibition: Spectacle for Empire
Chapter 6: Industrial Imperative, South Kensington, Art and Colonized Design
Part 3: Purities and Impurities
Chapter 7: Imperial Aesthetics
Chapter 8: Colonial Boundaries and Countermodern Freedom
Part 4: Modern Orientals and Primitives
Chapter 9: Tradition, Modernity, and Rabindranath Tagore
Chapter 10: Non-Duality: Art Objects as Philosophy
Chapter 11: Fatal Antithesis: Art, Hybridity, Primitives
Figures
Bibliography
Index
